CameraHolics.com

I come from an era where, to shoot in low light, you had three options: use a faster lens; a faster film; dose up your chemical brew or stretch the dev time. Times were tough but at least you learnt the hard way. These days to ‘do it in the dark’ you still have to juggle the lens aperture, burn up the ISO setting — then, if else has failed, resort to post processing with software. Author Worobiec admits to a fascination when things we’re ‘accustomed to seeing in daylight are transformed … wh